The essence of editing
by Marilyn and Tom Ross
Your
manuscript is finally written. You breathe a great sigh of relief. But hold on;
you aren't done yet. Use your spell-checker, grammar, and style checking
program to catch obvious flaws and flag overly long sentences, for example.
You
also may have learned to type on a typewriter and thus put two spaces at
the end of a sentence. In the computer age one space is preferable. Otherwise,
it looks awkward when typeset. No problem, though. Simply do a search and
replace, and change the two spaces to one.
Even
the best writers can benefit from good editors working behind them. Editing is
a special skill the average author doesn't perform well. And since, in spite of
their expertise, editors are notoriously poorly paid, the expense of getting
professional help for your work won't normally be too large. By the way,
please, please don't submit an e-book without editing. Most sites will simply
take what you give them and put it up. If our industry is to prosper, every
author must take personal responsibility for presenting a quality product.
A
poorly edited book is harder to read, harder to believe, and less likely to be
reviewed. It is shameful to see a good book cut to ribbons by a reviewer
because of poor grammar or spelling. In a recent review, while the plot of a
particular book was praised, the reviewer noted, "Unfortunately, the reader
also has to detour around some disasters in editing and proofreading."
Because
authors know their subjects so well, they are usually too close to their
material; objectivity is lost. A professional editor can help detect passages
that are unclear, poorly organized, or overwritten. This is called content or
creative editing. During a second reading your editor will do copyediting, whisking
out grammar, spelling, usage, and punctuation errors. The job of an editor is
to hone and polish your manuscript to a fine edge, not to impose his or
her style on it.
Where
do you find such folks? There are several options. Look in Literary Market Place
under "Editorial Services;" or contact the ASJA
(American Society of Journalists and Authors) Writer Referral Service at 212-398-1934.
Be
sure the person you hire has had experience editing books. An article or
book writer is often not experienced or qualified in the editing process
and typically has an editor going over his or her manuscript.
Short
of hiring a pro, which is best, enlist the help of several literate friends or
associates to go over your work. It's a good idea to give them some
instructions. Ask that they underline any misspelled or questionable words,
circle unclear passages, and note rough transitions with a question mark. Also
recommend they jot any suggestions in the margins. Encourage them to be
specific. Distinct constructive criticism is like surgery; it cuts out the
malignancy and spares the rest of the body. Vague criticism is like
chemotherapy; it causes the copy's hair to fall out and makes the whole thing
look sick.
Even best-selling authors use others to refine their work. James
Michener said, "I invite four outside expertsa subject-matter
scholar, editor, style arbiter on words, and a final checkerto tear
it apart . . .Should you do any less?
© Copyright 2005
Marilyn Ross
Marilyn and Tom Ross are the coauthors of 13 books including the
best-selling Complete Guide to
Self-Publishing and the award-winning Jump Start Your Book Sales. Through
phone consultations and ongoing coaching/mentoring, Marilyn empowers authors
and self-publishers to realize their dreams. She can be reached at 719-395-8659
or Marilyn@MarilynRoss.com. Visit http://www.SelfPublishingResources.com for meaty information on writing, self-publishing, and book marketing strategies.